Thanks to Adrian Sutton’s powerful score, the show “is now essentially a musical from my point of view,” says sound designer Christopher Shutt. “For Lincoln Center the two of us remade everything pretty much from scratch, enveloping the audience in sound much more than before. The rig is entirely a d&B rig from Sound Associates, running on Q Lab and using a Digico SD7 desk. These components allow a great level of clarity and definition, particularly at the high levels we have to run the
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