Gregory Meeh, special effects designer on Monty Python's Spamalot, was perhaps a little overprepared for his assignment. And not without reason. The show marks the first time that material from the infamous British comedy troupe, drawn mostly from the cult classic Monty Python and the Holy Grail (1975) and with other bits “lovingly ripped off” (as the ads say) from their canon of craziness, had been repurposed for other performers. And the whole thing — a big Broadway musical,
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