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5 Questions for Stuart Porter, programmer

  1. You are working on the lighting programming for the trans-Atlantic transfer of Chitty Chitty Bang Bang to Broadway. Are there any significant differences or challenges you've had to face in the new rig? Has technology or equipment changed significantly from when the show first opened in London to its Broadway debut?

    It's always interesting to see, even in the short period of time between the original production and a Broadway debut, what progress there

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