Jeff Croiter And Artiste Van Gogh™ Light Cyrano

(Photo:  Monique Carboni)

Tony Award-winning lighting designer Jeff Croiter turned to Elation Professional’s Artiste Van Gogh™ LED wash moving head to light a new musical adaptation of Cyrano starring Peter Dinklage at the Daryl Roth Theatre in New York. 

The classic tale of unrequited love premiered in November and has received praise for its design. Separated into five acts, Croiter says he uses the Artiste series fixtures to fulfill a different role in every scene of the play. “Their versatility was key and that’s what made these the perfect light for Cyrano,” the designer stated. “It’s my first time using them and they’ve worked perfectly.”

    51_CYRANO low.jpg

Croiter, who has over 25 years of Broadway and off Broadway lighting experience to his credit, uses the Van Gogh fixtures from an upstage position as the backlight system, forgoing conventionals or fixed position LED backlight. “There aren’t a lot of moving lights in the plot so I wanted something with flexibility to be able to move around to use either as wash lights to cover the whole stage or to pinpoint certain moments and as specials. They move subtlety and either expand or contract the space.”

The theatrical-grade Artiste Van Gogh houses a high-CRI, 380W white LED engine for a high-quality, flat-field light and includes a 4-blade framing system. It also comes with interchangeable PC or Fresnel lens options. The designer says he knew he wanted an LED wash light but it was important to him that the fixture not have a pixelated LED diode face. “Cyrano is a period piece and not a rock show so I didn’t want to call too much attention to the face of the light. But, all of the lights were exposed so the appearance was important to consider,” he said. “We used the Fresnel lens because it was essential to me that it look like a theatre light, like a Fresnel. The Van Gogh was just perfect. I’ve never quite seen anything like it.” 

Although the show has a naturalistic color quality to it, Croiter uses a full range of shades across the 2-hour play from warm incandescent naturalistic hues to colors that are a bit more vibrant. “I like the quality of light and how it mixes color,” he said of the fixture’s 16-bit CMY color-mixing system with seamless CTO and added color wheel. “What some of the LED lights cannot do are subtle hues and naturalistic colors from incandescent quality to sunlight/moonlight. What I love about these lights is that they were able to do that.” 

   96_CYRANO low.jpg

Cyrano plays out on a set that is essentially a long rectangle, approximately 40 feet wide but shallow at only 12 feet deep, a space that necessitated the designer to employ the Van Gogh’s framing shutters. “The lights covered very well, more than enough, so we often had to do both upstage and downstage shutters to frame the light. We wanted the width but framed the light out of the audience and off the set. It was nice to be able to shape the light with the Van Goghs.”

Kept busy throughout the performance, the Van Gogh units are used anywhere from mimicking work lights, daylight through a window, and moonlight through trees to music and dance scenes. In Act 4’s pre-battle scene, their multi-functionality really shines. “Here they are used all over from specials to dress the scene in a cold, slightly blue austere hue to specials in a dance sequence to pinpoint moments that we wanted to pull out of the scene,” Croiter explains. “They expand and contract from full stage backlight and then zoom small to do a special on someone fighting or dying.” In the play’s final act, a churchyard scene, the fixtures create the amber and gold of a fall sunset.

In a testament to advances made in the acoustics of automated luminaires for theatre, the designer says he had no issues with noise and adds that not a single person said the rig was too noisy. “It was actually one of the quietest lighting plots I’ve ever put up so also in that respect it was immensely successful.”

Cyrano opened November 7th at the Daryl Roth Theatre in Manhattan with a closing show scheduled for December 22nd.

Photos:  Monique Carboni

About Elation Professional
Based in California with facilities in Florida and Mexico City, as well as European offices in The Netherlands, Elation designs and manufactures a comprehensive range of innovative lighting and video products known for its superior performance, excellent efficiency, and outstanding price:value ratio, all backed by a hard-earned reputation for Total Support. Through nearly three decades of intelligent lighting development, our mission has always been simple: to provide best-in-class products and service while offering the best value:performance ratio in the industry, helping show designers and producers achieve their vision. From discharge to LED, intelligent to conventional, Elation products continue to be a part of the industry’s most exciting projects across the globe and our list of references is always growing. We invite you to take a closer look at 

For more information, contact:

Elation Professional US
6122 S. Eastern Avenue
Los Angeles, CA 90040
Tel: (866) 245-6726 (toll free)
Tel: (323) 582-3322
[email protected] 

Elation Professional EU
Junostraat 2.
6468 EW Kerkrade
The Netherlands
Tel: +31 (0)45 546 85 66
[email protected]

Elation Professional Mexico
Av Santa Ana 30,
Parque Industrial Lerma,
Lerma, Mexico 52000
Tel: +011 52 728 282 7070
[email protected]


Suggested Articles:

KABB Fox San Antonio Chief Meteorologist Alex Garcia uses Blackmagic Design products to remotely broadcast and live stream for “Fox News at Nine.”

New Job Site Hand Sanitizer Station helps you keep your crews safer as they get back on productions.

Accenting the celebration was a lighting rig, brought in for the occasion by Solico Event & Expo Technics, that featured CHAUVET Professional fixtures