Vittorio Storaro is the most florid yet eloquent of cinematographers, a man who loves to talk about his work in terms of metaphor and symbol, but who also expresses excitement over the advances in technology he's spearheading. Indeed, the director of photography backs up his most fanciful-sounding notions with the skill and means to achieve them. Some of Storaro's technically grounded ideas can be glimpsed in Tango, his latest project, which Sony Pictures Classics released in December for a
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