There are good musicals and bad musicals, and then there are “Why?” musicals, a category invented by composer Mary Rodgers for shows that have no distinctive identity, no particular reason for being. The vast majority of “Why?” musicals are adaptations of popular films — think The Goodbye Girl, Big, and Footloose — which neither capture the charm of the source material nor provide anything new to attract an audience. One leaves such a show with the overwhelming feeling that
Live Design is part of the Informa Markets Division of Informa PLC
This site is operated by a business or businesses owned by Informa PLC and all copyright resides with them. Informa PLC's registered office is 5 Howick Place, London SW1P 1WG. Registered in England and Wales. Number 8860726.