If anybody asked me what's new at The Metropolitan Opera, I'd have to say that there is a new design aesthetic afoot. Let's face it, when you bring in designers such as George Tsypin, Donald Holder, Michael Curry, Thomas Lynch, Martin Pakledinaz, and Peter Kaczorowski, you know you are not going to get the same old, same old. Last fall, this roster of designers put their talent to work in two spectacular productions at The Met: Mozart's Die Zauberflöte (The Magic Flute) and
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