I AM VERY GRATEFUL THAT MY background in lighting is diverse — I started out as a theatrical designer, worked as an associate and assistant on Broadway, transitioned into corporate, have lit many bands, and have had the opportunity to do live television. No matter what discipline I was in, I remained convinced that my job was the most stressful of all lighting jobs. A legit designer waiting for the opening night performance to start, a corporate designer waiting for the CEO to change
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