This issue is packed with theatre - corporate theatre, to be exact. This is one of the hottest sectors in lighting, but one of the hardest for us to track. We've had good luck with the car makers (always among the first to use the newest gear on their events); other market segments, however, have proved elusive. Trade secrecy abounds (some companies don't want anything, including their light plots, detailed in the press) and the quick turnaround times mean the events are often poorly
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