How does the book, George Tsypin Opera Factory: Building In The Black Void, published about your work by Princeton Architectural Press in October of 2005, illustrate your career to date?
The book was conceived as an exploration of the connection between set design and architecture. I included the work that relates to my sculpture, as well. I mostly focused on opera and large-scale productions, and I excluded theatre designs. The book, I think, reflects
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