I'm a big believer in saying yes to all scales of projects, and theatrical projects have quite a range of scales. There aren't many industries where one can work on a project back to back with another, and the difference in production capital can be as much as 10 times the amount. Even a designer in demand with a range of projects on his or her radar will frequently take a “smaller” show. Yet no matter what scale you're working in, the money is always tight and tensions are always high.
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