Paul McCartney was always the “cute” Beatle, and in no logical world would one associate him with Marilyn Manson or Nine Inch Nails, except for the fact that they've all worked with lighting designer Roy Bennett. Indeed, it was Bennett's diverse résumé (which includes shows for such disparate artists as Stone Temple Pilots, Faith Hill, and Seal) that attracted McCartney. “Paul wanted a really edgy show and he wanted it to be new and fresh,” says Bennett, who was McCartney's production
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