This spring, the hugely successful lighting design team of Jules Fisher and Peggy Eisenhauer accomplished the rather formidable task of opening two major Broadway musicals within a week of each other: the Roundabout Theatre production of Stephen Sondheim's Assassins, directed by Joe Mantello, and the transfer of the Public Theatre's production of Tony Kushner's Caroline, Or Change, directed by George C. Wolfe. Both received generally positive reviews; Assassins earned
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