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Behind Bars on the West End

A few months ago, I wrote a (slightly wry) article on the ever-growing noise of moving lights and scenery in theatre [“Bloody Moving Lights;” ED, Dec. 2003], my main complaint being that it was all far too loud and that no one had seemed to notice or care. Ironic then, that just after that article was published, I was asked to design a show that required me to make the set louder.

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