I've been the editor of this magazine for (oh, mercy, can it really be true?) nine years now, and we've been picking our annual Products of the Year even longer than that. During that time, the process of selecting each year's crop of winning sound, lighting, and staging and projection gear has essentially remained the same: we invite a range of designers and technicians from around the country (and occasionally around the world) to debate, via email (and occasionally in person) the pros and
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