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L-Acoustics Announces New ARCS Family of Scalable Rental Solutions

Five new references—A15 Focus, A15 Wide, A10 Focus, A10 Wide, and KS21 Sub—designed for audiences from 50 to 5,000

Frankfurt, Germany – April 2019 – Prolight + Sound, Hall 8.0 / booth H85, Galleria demo room Symmetrie 2+3 – As the market leader in premium professional sound systems, L-Acoustics takes pride in developing pragmatic solutions that enable audio professionals and artists to elevate the audience experience. True to this mission, the new ARCS A15 and A10 systems and companion sub KS21 deliver renowned L-Acoustics concert performance and reliability for audiences from 50 to 5,000 in an approachable, compact format that offers unlimited versatility and ease of use. With the launch of the new ARCS product range, L-Acoustics introduces a new charter agreement offering rental partners meeting the ARCS standard system requirements the opportunity to join the official L-Acoustics rental network.

LA_ARCS_array_LD.jpgPhoto: An array composed of L-Acoustics new ARCS family enclosures including two KS21 subs, one A15 Focus, and one A15 Wide

The ARCS family comprises four constant curvature enclosures—A15 Focus, A15 Wide, A10 Focus, A10 Wide—and a dedicated subwoofer, KS21. ARCS enclosures offer flexible coverage options, achieving a throw of up to 45 meters, and an impressive maximum output of 144 dB. Mounted on a pole, stacked, or flown in a vertical or horizontal line source array, the new ARCS family comprises modular, plug-and-play ease and international market acceptance. This versatile solution, with configurable directivity, scales with the needs of the event and venue.

In commenting on the design of the new ARCS products, L-Acoustics Director of Sound System Design, R&D Christophe Combet enthuses, “The new ARCS family is a powerful concentrate of L-Acoustics technology, integrating best practices from across our entire product range and development history. Bended wood technology, inspired by our X Series, makes the new ARCS enclosures lightweight, yet incredibly sturdy. ARCS have configurable L-Fins for refining directivity. K2-grade speakers and drivers, the industry’s best available components, deliver our unmistakable sonic signature. And KS21, our first 21-inch sub, will exceed expectations as the best compact subwoofer in the market. The system has built-in ease of operation, right down to the flush-fitting rigging for sleek integration.”

LA_A15_Focus_LD.jpgPhoto: The A15 products are passive two-way systems that incorporate a premium 15-inch low frequency cone driver and a high output 3-inch voice coil compression driver loaded on a DOSC waveguide; A15 Focus is shown here

Simplicity of design and deployment along with affordability, make the new ARCS range an ideal point of entry into the L-Acoustics network of rental partners. As new ARCS owners grow in capacity and knowledge, including via L-Acoustics training programs, the highly modular ARCS solution expands to accommodate larger projects.

A15 and A10 systems scale impeccably to events large and small: from weddings and galas, to the main system for a corporate event, theater, or mid-size festival stage with KS21 extending low frequency bandwidth to 30 Hz. At large events, ARCS becomes an effective fill or delay solution as a complement to larger K1 and K2 systems.

“The flexibility that can be achieved with this new generation of ARCS is unprecedented,” explains L-Acoustics Product Manager Germain Simon. “The mounting, stacking, and rigging options, combined with user configurable L-Fins to adjust waveguide directivity, gives users a plethora of permutations to work with. For example, with only two ARCS elements, you can easily achieve 15 different coverage patterns.”

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Photo: The A10 products share an identical design concept to the A15 products in a more compact form, featuring a 10-inch low frequency cone driver; A10 Wide is shown here

The plug-and-play simplicity of A15 and A10 Focus and Wide extends to amplification. The enclosures were designed with LA4X capabilities and one-to-one ratios in mind. Each LA4X amplification channel pairs with one A15, one A10, or one KS21. The one-to-one ratio extends to A15 and KS21, where one sub is recommended for each A15 enclosure. For A10, the recommended loudspeaker-to-sub ratio is two-to-one. For further flexibility, ARCS also functions seamlessly with LA12X amplified controllers.

A15 and A10 feature integrated rigging that make deployment efficient and secure. The unique, patent-pending flush rigging reduces the chances of mishandling and excessive vibration, enhancing both safety and speed.

“A version of ARCS has been part of the L-Acoustics product line since 1995,” relates Combet. “It was the first loudspeaker reference to launch after V-DOSC revolutionized the industry. The philosophy behind the successive iterations of ARCS has always been to offer a superior, medium-throw, compact solution that is also easy to use. I am very proud that our new ARCS range raises the standard on all of these things in an impressive value-for-money package.”

LA_KS21_LD.jpgPhoto: KS21 is the first 21-inch sub manufactured by L-Acoustics; delivering high performance in a compact format, it is a perfect companion sub to the new ARCS range

“We see the new ARCS line of products as the perfect way to welcome providers into the L-Acoustics rental network,” shares Simon. “The versatility and scalability of ARCS is really a ‘choose your own adventure’ scenario that only leads to happy endings. We look forward to seeing new customers approach the live events market in creative ways that allow them to capitalize upon their initial investment quickly and take their rental business to the next level.”

New ARCS Family Product Specifications

A15 Focus
Type: Passive 2-way
Bandwidth (-10 dB): 41 Hz–20 kHz
Maximum SPL: 144 dB
Coverage angle (-6 dB): Enclosure 10°; L-Fins 70°/110° symmetrical or 90° asymmetrical
Transducers: LF 1 x 15” neodymium bass-reflex; HF 1 x 3” compression
Weight: 35 kg

A15 Wide
Type: Passive 2-way
Bandwidth (-10 dB): 42 Hz–20 kHz
Maximum SPL: 141 dB
Coverage angle (-6 dB): Enclosure 30°; L-Fins 70°/110° symmetrical or 90° asymmetrical
Transducers: LF 1 x 15” neodymium bass-reflex; HF 1 x 3” compression
Weight: 33 kg

A10 Focus
Type: Passive 2-way
Bandwidth (-10 dB): 65 Hz–20 kHz
Maximum SPL: 139 dB
Coverage angle (-6 dB): Enclosure 10°; L-Fins 70°/110° symmetrical or 90° asymmetrical
Transducers: LF 1 x 10” neodymium bass-reflex; HF 1 x 2.5” compression
Weight: 22 kg

A10 Wide
Type: Passive 2-way
Bandwidth (-10 dB): 65 Hz–20 kHz
Maximum SPL: 137 dB
Coverage angle (-6 dB): Enclosure 30°; L-Fins 70°/110° symmetrical or 90° asymmetrical
Transducers: LF 1 x 10” neodymium bass-reflex; HF 1 x 2.5” compression
Weight: 20 kg

KS21
Type: Bass-reflex
Bandwidth (-10 dB): 30 Hz; 29 Hz ([KS21_60] preset)
Maximum SPL: 138 dB
Nominal directivity: standard or cardioid
Transducers: LF 1 x 21”
Weight: 49 kg

About L-Acoustics
Founded in 1984 near Paris, France, L-Acoustics is the market leader in professional sound reinforcement technologies. With over 400 team members worldwide and offices in Paris, London, Los Angeles, and New York, L-Acoustics is present in over 80 countries via our network of Certified Providers. Focused on solutions that elevate the audience experience, more than 20% of L-Acoustics’ talent is devoted to R&D in the areas of acoustics, applications, mechanics, electronics, signal processing, and software development.

Recognized for pioneering the line source array, L-Acoustics continues to shape the future of the professional audio industry with L-ISA Immersive Hyperreal Sound technology, a multidimensional, object-based approach to designing, mixing, and processing sound that results in extremely natural and intelligible audio and a more vibrant, and authentic connection between artists and their fans.

L-Acoustics technologies can be heard in places like the Hollywood Bowl, the NFL Cardinals State Farm Stadium or the Philharmonie de Paris, as well as the world’s top-grossing festivals, and on tour with world-class artists such as Adele, Pearl Jam, Lorde, and Depeche Mode.

www.l-acoustics.com

TAGS: Gear Sound
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