Problem/Solution: Cues, Lies, and Videotape


Sound designer Barry G. Funderburg had to edit music to a tight cue sequence for a fight scene in Moby Dick at the Milwaukee Rep. “I could only see so much while watching it and taking notes,” he says.

Bruce Richardson had to do a complex sound design for a scene involving an actor with a knee problem. Would the actor have to repeat a difficult physical scene over and over while he set cues?



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