Theatre Marriages--for Better and Worse

If all non-profit theatres and opera houses were the same size and shape, with similar equipment and comparable shops, moving a production from one venue to another would be boring but possible. Today, as funding lags, many theatres try to reduce costs by sharing productions. And more and more, they ask designers to do the impossible--create one show for houses with radically different spaces and equipment lists.

Kate Edmunds designed the set for David Wheeler's production of The Heir

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