The Sound of Moses

What did a chariot race in ancient Egypt sound like? How might voices bounce around a pharaoh's palace? Does the parting of the Red Sea sound like a particularly turbulent day at the beach? And what about that voice of God?

These are just a few of the aural issues Lon Bender and Wylie Stateman, sound designers of DreamWorks Pictures' animated epic The Prince of Egypt, had to consider during the film's three-year production process. A lot is riding on the project, the studio's inaugura

Register to view the full article

Already a member? .

Hide comments

Comments

  • Allowed HTML tags: <em> <strong> <blockquote> <br> <p>

Plain text

  • No HTML tags allowed.
  • Web page addresses and e-mail addresses turn into links automatically.
  • Lines and paragraphs break automatically.
Publish