Coastal Disturbances

Andrew Bovell’s play Speaking in Tongues is probably the closest thing we will ever see to a David Lynch movie onstage. The similarities are striking: The script is rife with sexuality, menace, the terror of the unsaid. Act I introduces a quartet of characters, two couples involved in mutual adulteries, then the action veers off in another direction in Act II, focusing on another characters; however, everyone, we learn is linked—sort of—by an apparent act of violence. Most of all, Mark

Register to view the full article

Hide comments

Comments

  • Allowed HTML tags: <em> <strong> <blockquote> <br> <p>

Plain text

  • No HTML tags allowed.
  • Web page addresses and e-mail addresses turn into links automatically.
  • Lines and paragraphs break automatically.
Publish