On the open stage of the Bregenz Festspielhaus, the audience is confronted with a series of suspended rectangular panels. With small squares to suggest windows, they are obviously house facades. These fly slowly in groups to reveal an impressive raw wood construction of heavy squared vertical beams, supporting a series of ramps and stairs and eight square platforms.
"The platforms represent the stations of the cross," says designer Stefanos Lazaridis. Actually, there are 14 stations i