DPA Microphones Brings Sound Innovation to WFX 2017

Known for amazing sound, exceptional consistency and outstanding reliability to houses of worship across the country, DPA Microphones brings its wide range of product offerings to both CCI Solutions' booth (1419) and Omega Broadcast Group's booth (322) at WFX 2017.

DALLAS, SEPTEMBER 25, 2017 - Known for amazing sound, exceptional consistency and outstanding reliability to houses of worship across the country, DPA Microphones brings its wide range of product offerings to both CCI Solutions' booth (1419) and Omega Broadcast Group's booth (322) at WFX 2017.

"DPA Microphones is excited to once again attend the largest dedicated worship expo in the United States," says Christopher Spahr, VP of sales and marketing, DPA Microphones, Inc. "We are presenting several products that the company believes will best serve the house of worship market from miking the worship leader and other speakers to worship singers and instrumentalists to complete worship bands. DPA solutions are also ideal for recording sermons and events for broadcast or live streaming. WFX attendees are encouraged to stop by our booth to see products and learn the benefits of DPA mics for worship facilities."

New in 2017, the d:vice MMA-A Digital Audio Interface is a high-quality, two-channel microphone preamp and A/D converter offering mono, dual and stereo capabilities. The app for the d:vice boasts a new summing feature - when two microphones are connected, it is now possible to sum the two channels so that each of the mics' audio signals is sent equally to output 1 and output 2. Users are now able to set individual gain for each mic and still have a single summed mono output.

Also on display at the CCI booth will be DPA's range of Headset, Instrument, Handheld and Miniature Microphones, which cater to all aspects of a house of worship production.

The d:fine Headset Microphones range offers accurate and natural voice intelligibility and very high-SPL capabilities; users can both speak and sing into the mic with no hint of distortion. These mics offer full range of movement to its user, giving the opportunity to walk around while leading the service.

DPA's award-winning d:vote Instrument Microphones give musicians a more natural sound than any internal microphone or pickup. The wide array of instrument clips creates a versatile microphone, giving the user a gentle, easy-to-mount solution. From the pianist to the violinist, and every musician in between, these mics offer great sounds to the attendees in any house of worship.

The d:facto Handheld Microphones series boasts a fully modular construction, making the grid, capsules and wired handle (or adapters for wireless systems) completely interchangeable. Two versions of the Vocal Microphone bring true studio sound to any vocalist or speaker addressing a large crowd.

DPA's d:screet Miniature Microphones series are ideal in situations where the speaker requires flexibility of movement, or when mics need to be cleverly concealed. With very low noise and an extremely high sensitivity, d:screet mics offer the most clear, transparent and natural sound, and are capable of handling up to 154dB peak before clipping.

ABOUT DPA MICROPHONES:
Celebrating 25 years in the industry, DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. Over the last two-and-a-half decades, DPA's goal has been to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA's products are globally praised for exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound. DPA looks forward to the next 25 years and beyond.

 

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